Stomachs on legs are proud to present

Whiteness and Farmers Markets: Performances, Perpetuations … Contestations?

Alison Hope Alkon1, Christie Grace McCullen

Academics and activists highlight the potential for alternative agrifood movements to contribute to the evolving coalescence of justice and sustainability. This potential, however, is constrained by what scholars have identified as the prevalent whiteness of such movements. This paper uses ethnographic research at two northern California farmers markets to investigate how whiteness is performed and perpetuated through the movements’ discourses and practices. We found that many managers, vendors and customers hold notions of what farmers and community members should be that both reflect and inform an affluent, liberal habitus of whiteness. Although whiteness pervades these spaces, we have also witnessed individual discourses and acts of solidarity and anti-racism, as well as fledgling institutional efforts to contest white cultural dominance. We conclude by discussing the potential of farmers markets to create an anti-racist politics of food.

available at: http://onlinelibrary.wiley.com/doi/10.1111/j.1467-8330.2010.00818.x/abstract

This paper explores the everyday politics and lived experiences of young people who identify as fat, obese or overweight. Situated within the emerging interdisciplinary fields of fat studies, critical weight studies and critical geographies of body size, this paper gives voice to young people who are often marginalised and frequently stigmatised. I draw attention to the embodied relationalities and intersectionalities evident with the young people's narratives of body size as well as the structures of constraint that operate to reinforce the marginalisation they feel. I conclude by outlining the challenges that exist in transforming the everyday politics of fat.

http://onlinelibrary.wiley.com/doi/10.1111/j.1467-8330.2011.00962.x/abstract

Abstract

Happiness is an elusive concept, it brings about ideas of ecstasy, contentment, delight but also health and strength, pouvoir and puissance ... a state of mind and body that is precarious and contingent. How to give form and substance to an idea that is otherwise difficult to conceive? What is happiness for a chicken? What is it like to be a chicken today? Free-range certification offers a powerful interpretation of animals' happiness in the context of farming, and it does so by providing a particular translation of the `natural' in the domesticated environment of farming. But it also offers a specific definition of materiality, in the form of the body of the animal, presented as an expression of her/his quality of life in the juiciness and other organoleptic qualities of her/his flesh or eggs. In this paper, I present the results of an on-farm assessment of the welfare of free-range chickens in the UK, carried out by adopting the Welfare Quality protocol. This is a new evaluation of the on-farm welfare of animals that encompasses many aspects of animals' lives, including animals' negative and positive emotions. It suggests that animals' `happiness' can be measured and can become part of an overall score of welfare, but it also addresses the complexities of the interpretation of the emotional states of animals. I propose that this case contributes to the debate on `material politics' and the invention of animals' happiness can be seen as a political technique that affects human ^ non-human
animal relations.

Miele M, 2011, "The taste of happiness: free-range chicken" Environment and Planning A 43(9) 2076 – 2090

It reminds me of the Posh Nosh episode. I can't help but feel that we've gotten our priorities all wrong.

"we should try one michelin star place while we are here" I said unpacking my suitcase in our tiny hotel room in Paris

Hock proceeds to rattle of a litany of choices and possibilities together with a description of the chef's culinary style as well as stating the impossibility of getting a booking at almost all but Joel Rubuchon's which does not take bookings.

"Ok well what is the number of the first one?" Arpege?" He quotes the number telling me there is no way we will get a table for lunch at the last minute.

I call. They have a table. Tomorrow 1 pm. Hock goes into a quiet stupor. His eye lids flutter while the reality settles. He blushes.

"I've taken the liberty of ordering us some tofu, some mushrooms and some duck tongues," said the western woman sitting across from me. "Do you trust me to keep ordering, or is there anything in particular you might like?" I looked at her thinking, "You whore!"

From David Sedaris's recent trip to China

Link

R. Stevie Moore - Popeye Song (live 2010) from robert moore on Vimeo.

Saw this erratic hero of lo-fi perform last night at the King Georg pub. The Pop Eye song was probably the highlight, but unfortunately this bad quality video doesn't include the bit where he whispered menacingly "olive oil (VIRGIN...) on spinach, tastes so great (FROZEN...)"

Talented young Montreal beatmaker Lunice Fermin Pierre II is a ball of fun on stage, mixing up hyphy and club bangers with cuts and spicy b-boy pantomimes.

In this clip he teaches the crowd how to do the Cooking Dance with some loose-jointed soup & burger techniques. If you can't stand the heat, get out of the kitchen.

I've already documented my devotion to heavenly Japanese sponge cakes. I didn't think it could get any better - but it just did.

We had colleagues (or should I say 'alcoholleagues') visit from Japan, and they brought with them a bottle of sake and this wonderful alcohol-infused sponge as souvenirs. How could the sponge retain that dense, yet very fine and soft melt-in-your-mouth texture while stored indefinitely in foil, stewing in its own tipsy juices?

The taste was, like any good castella: lovely, light and a little eggy, with only a yeasty hint of methylated spirits from the booze.
(Note: I think the soaking alcohol may have been shochu, but would love if Nalika can provide insight here).

Each square of this palm-sized cake really packed a punch. I wish there was a way to mail-order it from Japan.

BSS | Breakfast Interrupted from Bruton Stroube Studios on Vimeo.

And that's just the environment....what about the social....so the question here is gotta be, how can and should a label symbolise a guarantee of complex environmental and social systems?

I'm not so sure it can or should?

David Lynch Signature Cup Coffee from David Lynch on Vimeo.

Via Thus Bakes Zarathustra